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Opinion

«Resident Evil»: a game that shaped me and a whole generation

Philipp Rüegg
30/12/2021
Translation: Jessica Johnson-Ferguson

«Resident Evil» has made horror games mainstream. This year, this cult classic is celebrating its 25th birthday. Even after this long time, I still remember the first time the game and I met.

Racoon Forest 1998. The forest is clad in thick fog. There’s a column of smoke in the distance. Eerie music underscores the scene. Special unit S.T.A.R.S is searching for their missing compatriots. Suddenly, things get hectic. Fast cuts show bloody fangs, mutilated bodies and faces filled with fear. A snarling monster is on the loose. Screaming and shooting ensues.

The live action intro to «Resident Evil» already has my head spinning. Today, it looks more like a B-movie spoof made by a primary school kid. But back in 1996, I was an impressionable 14-year-old fraidy cat. To me, «Resident Evil» exuded an irresistible feeling of the forbidden. The game is rated 18+ and, judging by what’s being said on the school playground, it’s the scariest game ever.

It all starts with a modded Playstation

Back then, I primarily gamed on the PC. My favourites were «Duke Nukem 3D», «Quake» or «Super Mario 64» for Nintendo 64. This changed after my older brother came home one day with a modified Playstation and countless games. One of the self-labelled CDs shows those two momentous words:

«Resident Evil».

What the title really means isn’t quite clear to me. Not even after consulting the yellow German–English Langenscheidt dictionary. But I do know that evil means bad and that the game is about zombies – that’s all I need to understand. Besides, being the younger brother, I’m only entitled to co-use the Playstation anyway and have to get in line. But after seeing the dramatic intro, that’s fine with me.

The actual game starts after the few survivors of the S.T.A.R.S. special unit manage run for their lives and find a hideout in a magnificent mansion. The remaining compatriots are Albert Wesker, Chris Redfield and Jill Valentine. The last two are the playable characters. For the two pubescent teenagers in the Rüegg household, it’s clear who’ll be chosen.

I’ll never forget that look

The graphics, which were superb for their time, fuelled my imagination. What’s up with that mansion? What secrets lie hidden behind its doors and what happened to my compatriots? My brother and I find the first clue two rooms down. It’s one of the most iconic scenes in gaming history. «Resident Evil» is played with a fixed camera perspective. This means we never know where we’re running to and what’s lurking. At the end of this corridor, for example.

«Resident Evil» is full of these shock moments. When I mention the hallway with the dogs, everyone who’s ever played the game knows exactly what I’m talking about: one moment I’m walking through a regular hallway without a threat in sight. A safe place to take a breather. The next thing I know, two mutated hounds jump through the window and give me the fright of my life.

Who’s hiding all these cranks and gems?

But there’s so much more to «Resident Evil» than action and horror. The many riddles that had to be solved were also unusual at the time. An unlocked door is a rarity. As neither the well-trained members of the S.T.A.R.S. special unit nor their grenade launchers can break through ordinary wooden doors, brain power is needed.

Once, this involves getting our hands on a gem hidden in a book and placing it in the eye of a statue. Another time we need to open a barred gate with a crank found in a secret drawer. Even then, I wonder how the Umbrella Corporation gets anything done at all. Said corporation is the evil force in the game and responsible for the zombie outbreak. It seems that they’re spending most of their time hiding gems and keys someplace.

Things are slow going for us in «Resident Evil». On the plus side, this constant back and forth means we know the property like the back of a Kellogg’s Smacks cereal box. This is also because you can only save the game in rooms with a typewriter in them.

Details matter

And then there’s the story. The more we explore the estate, the more horrifying the things we reveal are. There are catacombs infested with crocodiles and giant spiders and labs where more creepy experiments are taking place. Admittedly, I never fully got the story. But there’s a t-virus, Wesker’s a traitor and the Umbrella Corporation is the devil himself.

I can remember the smaller stories better. On one occasion, we find a diary in a bedroom. It contains a researcher’s notes about poker nights shared with colleagues and his work with the Umbrella Corporation’s living experiments. At some point, he writes about an itching and a swollen spot on his back. It dawns on me that he’s contracted the t-virus. As the symptoms increase, the diary entries become more and more confused. The last sentence reads:

«Itchy itchy Scott came. Ugly face so killed him. Tasty.

Itchy.
Tasty.»

While my brother and I are digesting what we’ve read, a zombie suddenly jumps out of the closet. One flesh wound and half a magazine later, the monster is lying on the ground. It’s wearing a white lab coat.

A memory for life

And so the cycle continues.

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As a child, I wasn't allowed to have any consoles. It was only with the arrival of the family's 486 PC that the magical world of gaming opened up to me. Today, I'm overcompensating accordingly. Only a lack of time and money prevents me from trying out every game there is and decorating my shelf with rare retro consoles. 


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