Sony launches new G-Master portrait lens
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Sony launches new G-Master portrait lens

David Lee
28/8/2024
Translation: machine translated

The latest Sony lens has a focal length of 85 millimetres and an aperture of f/1.4, making it ideal for portraits. Compared to the previous model, Sony has reduced the weight and improved the autofocus and image quality.

Sony presents the successor to the FE 85mm F/1.4 GM lens. This is from 2016, so it is already eight years old. It remains available as a more cost-effective variant.

Sony FE 85mm f/1.4 GM (Sony E, full size)
Lenses
EUR1504,52

Sony FE 85mm f/1.4 GM

Sony E, full size

Sony FE 85 mm F1.4 GM II (Sony E, full size)
Lenses
EUR2313,80

Sony FE 85 mm F1.4 GM II

Sony E, full size

I have already been able to try out the lens a little, but without a direct comparison with the previous model.

Faster, lighter, quieter

GM is the abbreviation for "G Master", the premier class of Sony lenses. The improvements are similar to other GM lenses that Sony has upgraded in recent years. This includes a reduction in weight. The 85mm GM II now weighs just 642 grams instead of 820 grams.

The new 85mm lens utilises Sony's latest autofocus technology. According to the manufacturer, the focus motors are three times faster than their predecessor and even quieter. However, the GM II's autofocus is not silent either.

Manual focus is now linear - this means that the same rotation of the focus ring always covers the same distance, regardless of the rotation speed. This means that you return to the starting point when turning back and forth. This is practical for manually focussed videos.

The lens is also more suitable for video thanks to focus breathing compensation. Depending on the focus, the image section changes very slightly at most in videos.

Bokeh and chromatic aberration

The chromatic aberration of the predecessor model is said to be not as good. Sony claims to have improved this point in the 85mm GM II. I don't have a direct comparison, but the GM II seems to be OK in this respect. I can visualise chromatic aberrations, but only if I go for it under extreme conditions: open aperture, corner, 1:1 view at 61 megapixels and a susceptible subject.

The chromatic aberration: It still exists, but only becomes visible in extreme cases.
The chromatic aberration: It still exists, but only becomes visible in extreme cases.
Source: David Lee

According to Sony, the bokeh no longer has an onion ring effect. I can confirm that. The light points become even surfaces. A single ring remains very faintly recognisable in the example.

Bokeh at aperture f/2.5.
Bokeh at aperture f/2.5.
Source: David Lee
Pixel peeping: A very faint onion ring can still be seen at the left light spot when magnified.
Pixel peeping: A very faint onion ring can still be seen at the left light spot when magnified.
Source: David Lee

The sharpness is impressive, even at open aperture and in the corners. But the predecessor is already good at this. The vignetting is quite clear at f/1.4.

Vignetting: Uncorrected, the corners are much darker than the centre of the image.
Vignetting: Uncorrected, the corners are much darker than the centre of the image.
Source: David Lee

What remains the same

Sony has not improved the focusing distance. It is still 85 centimetres, or 80 centimetres in manual focus. This is sufficient for portraits, but a shorter distance would be better for many objects such as flowers. Another thing that has remained the same is that the lens does not have its own image stabiliser. The image is only stabilised by the camera.

Sony's recommended retail price (RRP) for the GM II is 2,000 francs. The predecessor model cost more when it was launched. It has since dropped in price. Sony has adjusted the RRP of its predecessor accordingly to 1599 francs. <p

Header image: David Lee

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My interest in IT and writing landed me in tech journalism early on (2000). I want to know how we can use technology without being used. Outside of the office, I’m a keen musician who makes up for lacking talent with excessive enthusiasm.


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